Extending for almost .8km (1/2 mile) on a tract of landfill on the shores of the Bosphorus is Dolmabahçe Palace (appropriately translated as "filled garden"), an imperial structure that for the first time looked to Western models rather than to the more traditional Ottoman style of building. The architect of Dolmabahçe was Garabet Balyan, master of European forms and styles amid a long line of Balyan architects.
At a time of economic reform when the empire was still known as "The Sick Man of Europe," Sultan Abdülmecid II sank millions into a palace that would give the illusion of prosperity and progressiveness. The old wooden Besiktas Palace was torn down to make room for a more permanent structure, and the sultan spared no expense in creating a house to rival the most opulent palaces of France. While many of his subjects were living without the basics, the sultan was financing the most cutting-edge techniques, tastefully waiting until the end of the Crimean War to move in, even though the palace was completed much earlier than that.
The result is a sumptuous creation consisting of 285 rooms, four grand salons, six galleries, five main staircases, six hamams (of which the main one is pure alabaster), and 43 toilets. Fourteen tons of gold and 6 tons of silver were used to build the palace. The extensive use of glass, especially in the Camli Kösk conservatory, provides a gallery of virtually every known application of glass technology of the day. The palace is a glittering collection of Baccarat, Bohemian, and English crystal as well as Venetian glass, which was used in the construction of walls, roofs, banisters, and even a crystal piano. The chandelier in the Throne Room is the largest one in Europe at 4.5 tons, a bulk that created an engineering challenge during installation but that has withstood repeated earthquake tests. The extravagant collection of objets d'art represents just a small percentage of items presented to the occupants of the palace over the years, and much of the collection is stored in the basement awaiting restoration.
Tours to the palace and harem accommodate 1,500 visitors per day per section, a stream of gaping onlookers shod in blue plastic hospital booties distributed at the entry to the palace to ensure that the carpets stay clean. Tours leave every 15 minutes and last 1 hour for the Selâmlik and around 45 minutes for the Harem. If you're short on time, choose the Selâmlik. Important Note: As of July 2009, advance reservations are required for visits to the palace and all sections (available via phone or website).