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In Depth
Anthony Zuiker's Top Seven Las Vegas Movies
A graduate of the University of Nevada at Las Vegas who's lived in Vegas for 35 years, Anthony Zuiker worked for The Mirage as a graveyard-shift tram driver, bellboy, and ad writer before he was inspired to create CSI, currently the number-one-rated TV show in the country. Here are Zuiker's seven favorite Las Vegas flicks and what he thinks about them.
Ocean's Eleven (the remake) -- It's our modern-day Rat Pack actors. Who can deny George Clooney and Brad Pitt?
Fear and Loathing in Las Vegas -- It epitomizes the surreal journey of coming to Las Vegas, and it captures the hyper-reality very well.
Indecent Proposal -- I was there when they were shooting this movie. I remember seeing Demi Moore shooting the film at the Hilton, and Bruce Willis was playing blackjack at the tables while the filming was going on. She would run over to him and kiss him, and then go back and shoot the scene. That was my first taste of Hollywood glory long before I was in the business.
Ocean's Eleven (the original) -- It's timeless actors and classic Vegas, platinum swagger that can never be replicated. I watch it, remembering that Sinatra would do just one take and that was it. Being in the business now, I marvel at that. He was always dressed so amazingly in those sweaters, he always had a cocktail, and he was just so cool.
Viva Las Vegas -- To me, this was the first movie to put Las Vegas on the map, with the King of rock 'n' roll, no less, exemplifying what Vegas was all about, in its true glory days. Back then, times were good, it was all about the gambler, and it was amazing.
Casino -- I actually grew up in town during this era, so I remember these characters very well. It was one of the first movies that took us inside the world of the casino, not just on the floor, but also behind the scenes. It was the look of the mob era in Vegas, how it really was; and since I knew of those men, I could see both how accurate it was and where creative license was taken.
Leaving Las Vegas -- It's one of my top five films of all time. The concept of an alcoholic going to Vegas because they never close the bars was a genius dramatic idea. And the way that director Mike Figgis shot Nick Cage, with Luxor in the background, with the red lights of Bally's blinking, the seedy hotel, it all just felt like the dark, surreal side of Vegas that we are used to as locals on a much more gut and emotional level. A wonderful movie.
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