Frommer's Review
Montréal's Museum of Fine Arts is the city's most prominent museum, opened in 1912 in Canada's first building designed specifically for the visual arts. The original neoclassical pavilion is on the north side of Sherbrooke. A striking new annex was built in 1991 directly across the street and tripled exhibition space, adding sub-street-level floors and underground galleries that connect to the old building. Art on display is nearly always dramatically mounted, carefully lit, and diligently explained in both French and English.
Our recommendation is to enter the annex on the south side of rue Sherbrooke, take the elevator to the top, and work your way down. The permanent collection, which totals more than 33,000 works, is largely devoted to international contemporary art and Canadian works created after 1960, and to European painting, sculpture, and decorative art from the Middle Ages to the 19th century. On the upper floors are many of the gems of the collection: paintings by 12th- to 19th-century artists Hogarth, Tintoretto, Bruegel, El Greco, Ribera, and portraitist George Romney; and works -- representative, if not world-class -- by more recent artists including Renoir, Monet, Picasso, Cézanne, and Rodin. French-Canadian landscape watercolorist Marc-Aurèle Fortin (1888?1970) is well represented; a separate museum that had been devoted just to him donated its entire collection to Beaux-Arts in 2007.
Temporary exhibitions can be dazzling: A recent show brought the treasures of Catherine the Great, including her spectacular Coronation Coach, from the Hermitage Museum of Saint Petersburg. An exhibition of art from Cuba is scheduled for 2008. The museum's street-level store on the south side of rue Sherbrooke has an impressive selection of quality books, games, and folk art. A good café is adjacent.
Note: This information was accurate when it was published, but can change without
notice. Please be sure to confirm all rates and details directly with the companies in question before
planning your trip.
