Frommer's Review
In the past, an art historian or two would sometimes venture here to the edge of the Bois de Boulogne to see what Paul Marmottan had donated to the Académie des Beaux-Arts. Hardly anyone else did until 1966, when Claude Monet's son Michel died in a car crash, leaving a then-$10 million bequest of his father's art to the little museum. The Académie suddenly found itself with 130-plus paintings, watercolors, pastels, and drawings. Monet lovers could now trace the evolution of the great man's work in a single museum. The collection includes more than 30 paintings of Monet's house at Giverny and many of water lilies, his everlasting fancy, plus Willow (1918), House of Parliament (1905), and a Renoir portrait of the 32-year-old Monet. The museum had always owned Monet's Impression: Sunrise (1872), from which the Impressionist movement got its name. Paul Marmottan's original collection includes fig-leafed nudes, First Empire antiques, assorted objets d'art, Renaissance tapestries, bucolic paintings, and crystal chandeliers. You can also see countless miniatures donated by Daniel Waldenstein. The works of other Impressionists are also included, among them Degas, Manet, Pissarro, Renoir, Auguste Rodin, and Alfred Sisley.
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