Frommer's Review
Some of the most famous men in French history (Victor Hugo, for one) are buried here on the crest of the mount of St. Geneviève. In 1744, Louis XV vowed that if he recovered from a mysterious illness, he'd build a church to replace the Abbaye de St. Geneviève. He recovered but took his time fulfilling his promise. It wasn't until 1764 that Mme de Pompadour's brother hired Soufflot to design a church in the form of a Greek cross with a dome reminiscent of St. Paul's in London. When Soufflot died, his pupil Rondelet carried out the work, completing the structure 9 years after his master's death.
After the Revolution, the church was converted to a "Temple of Fame" and became a pantheon for the great men of France. Mirabeau was buried here, though his remains were later removed. Likewise, Marat was only a temporary tenant. Voltaire's body was exhumed and placed here -- and allowed to remain. In the 19th century, the building changed roles so many times -- a church, a pantheon, a church again -- that it was hard to keep its function straight. After Hugo was buried here, it became a pantheon once again. Other notable men entombed within are Rousseau, Soufflot, Zola, and Braille. Only one woman has so far been deemed worthy of placement here: Marie Curie, who joined her husband, Pierre. Most recently, the ashes of André Malraux were transferred to the Panthéon because, according to President Jacques Chirac, he "lived [his] dreams and made them live in us." As Charles de Gaulle's culture minister, Malraux decreed the arts should be part of the lives of all French people, not just Paris's elite.
Before entering the crypt, note the striking frescoes: On the right wall are scenes from Geneviève's life, and on the left is the saint with a white-draped head looking out over medieval Paris, the city whose patron she became, as well as Geneviève relieving victims of famine with supplies.
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