Frommer's Review
The architect, Jean Nouvel, said he wanted to create something "unique, poetic, and disturbing." And so he did with the opening of this $265-million museum, which took a decade to launch. There was even scandal: the terra-cotta figures from Nigeria turned out to be smuggled. At long last under one roof nearly 300,000 tribal artifacts from Africa, Asia, Oceania, and the Americas have been assembled. Galleries stand on sculpted pillars that evoke totem poles. Set in a lush, rambling garden on the left Bank in the shadow of the Eiffel Tower, this is the greatest museum to open in Paris since Pompidou.
Housed in four spectacular buildings with a garden walled off from the quai Branly, are the art, sculpture, and cultural materials of a vast range of non-Western civilizations, separated into different sections that represent the traditional cultures of Africa, East and Southeast Asia, Oceania, Australia, the Americas, and New Zealand. The pieces here come from the now-defunct Musée des Arts Africains et Oceaniens, from the Louvre, and from the Musée de l'Homme. Temporary exhibits are shown off in boxes all along the 183m-long (600 ft.) exhibition hall.
Incredible masterpieces are on display made by some very advanced traditional civilizations; some of the most impressive exhibits present tribal masks of different cultures, some of which are so lifelike and emotional in their creation that you can feel the fear and elation involved in their use, which is well documented by descriptions in English. Allow 2 hours for a full visit; also take a stroll in their carefully manicured garden, or have a café au lait in their small cafeteria across from the main building. There are numerous entrances to the museum grounds from the area near the Eiffel Tower; the main entrance is on quai Branly.
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