Frommer's Review
Loreto Palace was named after the town of Loreto, Italy, where the dwelling of the Virgin Mary was said to have been brought by angels from Palestine in the 13th century. After the Roman Catholics defeated the Protestant Bohemians in 1620, the Loreto faction was chosen as the device for a re-Catholicization of Bohemia. The Loreto legend holds that a cottage in which the Virgin Mary lived had been miraculously transferred from Nazareth to Loreto, an Italian city near Ancona. The Loreto Palace is thought to be an imitation of this cottage, and more than 50 copies have been constructed throughout the Czech lands.
The Loreto's facade is decorated with 18th-century statues of the writers of the Gospel -- Matthew, Mark, Luke, and John -- along with a lone female, St. Anne, mother of the Virgin Mary. Inside the Church of the Nativity are fully clothed remains of two Spanish saints, St. Felicissimus and St. Marcia. The wax masks on the skeletons' faces are particularly macabre.
Inside the Chapel of Our Lady of Sorrows is a painting of a bearded woman hanging on a cross. This is St. Starosta, or Vilgefortis, who, after taking a vow of virginity, was forced to marry the king of Sicily. It's said that God, taking pity on the woman, gave her facial hair to make her undesirable, after which her pagan father had her crucified. Thus, Starosta went into history as the saint of unhappily married women. The painting was created in the 1700s. Also on display is a portrait of St. Apolena (or Appollonia), a 3rd-century deacon who had her teeth knocked out as part of a torture for refusing to renounce Christianity. She's often represented in art by a gold tooth or pincer. As the patron saint of dentists, Apolena is sometimes referred to as the "saint of toothaches."
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