The Shopping Scene

Few visitors to Santa Fe leave the city without acquiring at least one item from the Native American artisans at the Palace of the Governors. When you are thinking of making such a purchase, keep the following pointers in mind.

Silver jewelry should have a harmony of design, clean lines, and neatly executed soldering. Navajo jewelry typically features large stones, with designs shaped around the stone. Zuni jewelry usually has patterns of small or inlaid stones. Hopi jewelry rarely uses stones; it's usually a silver-on-silver overlay, darkly oxidized so the image stands out.

Turquoise of a deeper color is usually higher quality, so long as it hasn't been color treated (undesirable because the process adds false color to the stone). Often, turquoise is "stabilized," which means it has resin baked into the stone. This makes the stone less fragile but also prevents it from changing color with age and contact with body oils. Many people find the aging effect desirable. Beware of "reconstituted turquoise." In this process, the stone is disassembled and reassembled; it usually has a uniformly blue color that looks very unnatural.

Pottery is traditionally hand-coiled and made of natural clay, not thrown on a potter's wheel using commercial clay. It is hand-polished with a stone, hand-painted, and fired in an outdoor oven (usually an open fire pit) rather than an electric kiln. Look for an even shape; clean, accurate painting; a high polish (if it's a polished piece); and an artist's signature.

Navajo rugs are appraised according to tightness and evenness of weave, symmetry of design, and whether natural (preferred) or commercial dyes have been used.

The value of katsina (kachina) dolls depends on the detail of their carving: fingers, toes, muscles, rib cages, feathers, and so on. Elaborate costumes are also desirable. Oil staining is preferred to the use of bright acrylic paints.

Sand paintings should display clean, narrow lines, even colors, balance, an intricacy of design, and smooth craftsmanship.

Local museums, particularly the Wheelwright Museum and the Institute of American Indian Arts Museum, can give you a good orientation to contemporary craftsmanship.

Contemporary artists are mainly painters, sculptors, ceramists, and fiber artists, including weavers. Peruse one of the outstanding gallery catalogs for an introduction to local dealers. They're available for free in many galleries and hotels. They include The Collector's Guide to Art in Santa Fe and Taos by Wingspread Incorporated (www.collectorsguide.com), The Essential Guide by Essential Guides, LLC (www.essentialguide.com), and others. For a current listing of gallery openings, with recommendations on which ones to attend, purchase a copy of the monthly magazine the Santa Fean by Santa Fean, LLC (466 W. San Francisco St., Santa Fe, NM 87501; www.santafean.com). Also check in the "Pasatiempo" section of the local newspaper, the New Mexican (www.santafenewmexican.com), every Friday.

Business hours vary quite a bit among establishments, but most are open at least Monday through Friday from 10am to 5pm, with mall stores open until 8 or 9pm. Most shops are open similar hours on Saturday, and many also open on Sunday afternoon during the summer. Winter hours tend to be more limited.

After the high-rolling 1980s, during which art markets around the country prospered, came the penny-pinching 1990s and the fearful 2000s. Many galleries in Santa Fe have been forced to shut their doors. Those that remain tend to specialize in particular types of art, a refinement process that has improved the gallery scene here. Some locals worry that the lack of serious art buyers in the area leads to fewer good galleries and more T-shirt and trinket stores. The plaza has its share of those but still has a good number of serious galleries, appealing to those buyers whose interests run to accessible art -- Southwestern landscapes and the like. On Canyon Road, the art is often more experimental and diverse.