The Mad, Mad World of Salvador Dalí

Salvador Dalí (1904-89) became one of the leading exponents of surrealism, depicting irrational imagery of dreams and delirium in a unique, meticulously detailed style. Famous for his eccentricity, he was called "outrageous, talented, relentlessly self-promoting, and unfailingly quotable." Until his death at age 84, he was the last survivor of the three famous enfants terribles of Spain. (The poet García Lorca and the filmmaker Luis Buñuel were the other two.)

For all his international renown, Dalí was born in Figueres and died in Figueres. Most of his works are in the eponymous Theater-Museum there, built by the artist himself around the former theater where his first exhibition was held. Dalí was also buried in the Theater-Museum, next door to the church that witnessed both his christening and his funeral -- the first and last acts of a perfectly planned scenario.


Salvador Felipe Jacinto Dalí i Domènech, the son of a highly respected notary, was born on May 11, 1904, in a house on Carrer Monturiol in Figueres. In 1922, he registered at the School of Fine Arts in Madrid and went to live at the prestigious Residencia de Estudiantes. There his friendship with García Lorca and Buñuel had a more enduring effect on his artistic future than his studies at the school. As a result of his undisciplined behavior and the attitude of his father, who clashed with the Primo de Rivera dictatorship over a matter related to elections, the young Dalí spent a month in prison.

In the summer of 1929, the artist René Magritte, along with the poet Paul Eluard and his wife, Gala, came to stay at Cadaqués, and their visit caused sweeping changes in Dalí's life. The young painter became enamored of Eluard's wife; Dalí left his family and fled with Gala to Paris, where he became an enthusiastic member of the surrealist movement. Some of his most famous paintings -- The Great Masturbator, Lugubrious Game, and Portrait of Paul Eluard -- date from his life at Port Lligat, the small Costa Brava town where he lived and worked off and on during the 1930s.

Following Dalí's break with the tenets of the surrealist movement, his work underwent a radical change, with a return to classicism and what he called his mystical and nuclear phase. He became one of the most fashionable painters in the United States and seemed so intent on self-promotion that the surrealist poet André Breton baptized him with the anagram "Avida Dollars." Dalí wrote a partly fictitious autobiography titled The Secret Life of Salvador Dalí, and Hidden Faces, a novel containing autobiographical elements. These two short literary digressions earned him still greater prestige and wealth, as did his collaborations in the world of cinema (such as the dream set for Alfred Hitchcock's Spellbound, 1945) and in those of theater, opera, and ballet.


On August 8, 1958, Dalí and Gala were married according to the rites of the Catholic church in a ceremony performed in the strictest secrecy at the shrine of Els Angels, just a few miles from Girona.

During the 1960s, Dalí painted some very large works, such as The Battle of Tetuán, and Perpignan Railway Station, a veritable revelation of his paranoid-critical method that relates this center of Dalí's mythological universe to his obsession with painter Jean-François Millet's The Angelus.

In 1979, Dalí's health began to decline, and he retired to Port Lligat in a state of depression. When Gala died, he moved to Púbol where, obsessed by the theory of catastrophes, he painted his last works until he suffered severe burns in a fire that nearly cost him his life. Upon recovery, he moved to the Torre Galatea, a building he had bought as an extension to the museum in Figueres. Here he lived for 5 more years, hardly ever leaving his room, until his death in 1989.


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