Khai Dinh's Tomb
Completed in 1931, this tomb is one of Hue's wonders. The emperor himself wasn't particularly revered, being overly extravagant and flamboyant (reportedly he wore a belt studded with lights that he flicked on at opportune public moments). His tomb, a gaudy mix of Gothic, baroque, Hindu, and Chinese Qing dynasty architecture at the top of 127 steep steps, is a reflection of the man. Inside, the two main rooms are completely covered with fabulous, intricate glass and ceramic mosaics in designs reminiscent of Tiffany and Art Deco. The workmanship is astounding. The outer room's ceiling was done by a fellow who used both his feet and his hands to paint, in what some say was a sly mark of disrespect for the emperor. Also noteworthy: In most tombs, the location of the emperor's actual remains are a secret, but Khai Minh boldly placed his under his de facto tomb itself.
Completed in 1931, this tomb is one of Hue's wonders. The emperor himself wasn't particularly revered, being overly extravagant and flamboyant (reportedly he wore a belt studded with lights that he flicked on at opportune public moments). His tomb, a gaudy mix of Gothic, baroque, Hindu, and Chinese Qing dynasty architecture at the top of 127 steep steps, is a reflection of the man. Inside, the two main rooms are completely covered with fabulous, intricate glass and ceramic mosaics in designs reminiscent of Tiffany and Art Deco. The workmanship is astounding. The outer room's ceiling was done by a fellow who used both his feet and his hands to paint, in what some say was a sly mark of disrespect for the emperor. Also noteworthy: In most tombs, the location of the emperor's actual remains are a secret, but Khai Minh boldly placed his under his de facto tomb itself.
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