Traditional Theatre

Kabuki -- Probably Japan's best-known traditional theater art, kabuki is also one of the country's most popular forms of entertainment. Visit a performance and it's easy to see why -- kabuki is fun! The plays are dramatic, the costumes are gorgeous, the stage settings are often fantastic, and the themes are universal -- love, revenge, and the conflict between duty and personal feelings. Probably one of the reasons kabuki is so popular even today is that it developed centuries ago as a form of entertainment for the common people in feudal Japan, particularly the merchants. And one of kabuki's interesting aspects is that all roles -- even those depicting women -- are portrayed by men.

Kabuki has changed little in the past 100-some years. Altogether there are more than 300 kabuki plays, all written before the 20th century. Kabuki stages almost always revolve and have an aisle that extends from the stage to the back of the spectator theater. For a Westerner, one of the more arresting things about a kabuki performance is the audience itself. Because this has always been entertainment for the masses, the audience can get quite lively with yells, guffaws, shouts of approval, and laughter. In fact, old woodcuts of cross-eyed men apparently stemmed from kabuki -- when things got a little too rowdy, actors would stamp their feet and strike a cross-eyed pose in an attempt to gain the audience's attention.

Of course, you won't be able to understand what's being said. Indeed, because much of kabuki drama dates from the 18th century, even Japanese sometimes have difficulty understanding the language. But it doesn't matter, though some theaters have English-language programs and earphones that describe the plots in minute detail. The best place to enjoy kabuki is Tokyo, where performances are held throughout much of the year.

Noh -- Whereas kabuki developed as a form of entertainment for the masses, Noh was a much more traditional and aristocratic form of theater. Most of Japan's shogun were patrons of Noh; during the Edo Period, it became the exclusive entertainment of the samurai class. In contrast to kabuki's extroverted liveliness, Noh is very calculated, slow, and restrained. The oldest form of theater in Japan, it has changed very little in the past 600 years, making it the oldest theater art in the world. The language is so archaic that Japanese cannot understand it at all, which explains in part why Noh does not have the popularity that kabuki does.

As in kabuki, all Noh performers are men, with the principal characters consisting mostly of ghosts or spirits, who illuminate foibles of human nature or tragic-heroic events. Performers often wear masks. Spoken parts are chanted by a chorus of about eight; music is provided by a Noh orchestra that consists of several drums and a flute.

Because the action is slow, watching an entire evening can be quite tedious unless you are particularly interested in Noh dance and music. In addition, most Noh plays do not have English translations. You may want to drop in for just a short while. In between Noh plays, short comic reliefs, called kyogen, usually make fun of life in the 1600s, depicting the lives of lazy husbands, conniving servants, and other characters with universal appeal.

Bunraku -- Bunraku is traditional Japanese puppet theater. But contrary to what you might expect, bunraku is for adults, and themes center on love and revenge, sacrifice and suicide. Many dramas now adapted for kabuki were first written for the bunraku stage.

Popular in Japan since the 17th century -- at times even more popular than kabuki -- bunraku is fascinating to watch because the puppeteers are right onstage with their puppets. Dressed in black, they're wonderfully skilled in making the puppets seem like living beings. Usually, there are three puppeteers for each puppet, which is about three-fourths human size: One puppeteer is responsible for movement of the puppet's head, as well as for the expression on its face, and for the movement of the right arm and hand; another puppeteer operates the puppet's left arm and hand; while the third moves the legs. Although at first the puppeteers are somewhat distracting, after a while you forget they're there as the puppets assume personalities of their own. The narrator, who tells the story and speaks the various parts, is an important figure in the drama. The narrator is accompanied by a traditional three-stringed Japanese instrument called a shamisen. By all means, try to see bunraku. The most famous presentations are at the Osaka Bunraku Theater, but there are performances in Tokyo and other major cities as well.


The Japanese form of wrestling known as sumo began perhaps as long as 1,500 years ago and was immensely popular by the 6th century. Today it's still popular, with the best wrestlers revered as national heroes, much as baseball or basketball players are in the United States. Often taller than 1.8m (6 ft.) and weighing well over 136 kilograms (300 lb.), sumo wrestlers follow a rigorous training period, which usually begins when they're in their teens and includes eating special foods to gain weight. Unmarried wrestlers even live together at their training schools, called sumo stables.

A sumo match takes place on a sandy-floored ring less than 4.5m (15 ft.) in diameter. Wrestlers dress much as they did during the Edo Period -- their hair in a samurai-style topknot, an ornamental belt/loincloth around their huge girths. Before each bout, the two contestants scatter salt in the ring to purify it from the last bout's loss; they also squat and then raise each leg, stamping it into the ground to crush, symbolically, any evil spirits. They then squat down and face each other, glaring to psych each other out. Once they rush each other, each wrestler's object is to either eject his opponent from the ring or cause him to touch the ground with any part of his body other than his feet. This is accomplished by shoving, slapping, tripping, throwing, and even carrying the opponent, but punching with a closed fist and kicking are not allowed. Altogether, there are 48 holds and throws, and sumo fans know all of them.

Most bouts are very short, lasting only 30 seconds or so. The highest-ranking players are called yokozuna, or grand champions; in 1993, a Hawaiian named Akebono was promoted to the highest rank, the first non-Japanese ever to be so honored. Nowadays foreign-born sumo wrestlers are common, though their numbers are restricted by the Japan Sumo Association.

There are six 15-day sumo tournaments in Japan every year: Three are held in Tokyo (Jan, May, and Sept); the others are held in Osaka (Mar), Nagoya (July), and Fukuoka (Nov). Each wrestler in the tournament faces a new opponent every day; the winner of the tournament is the wrestler who maintains the best overall record.

Tournament matches are also widely covered on television.

Tea Ceremony

Tea was brought to Japan from China more than 1,000 years ago. It first became popular among Buddhist priests as a means of staying awake during long hours of meditation; gradually, its use filtered down among the upper classes, and in the 16th century, the tea ceremony was perfected by a merchant named Sen-no-Rikyu. Using the principles of Zen and the spiritual discipline of the samurai, the tea ceremony became a highly stylized ritual, with detailed rules on how tea should be prepared, served, and drunk. The simplicity of movement and tranquillity of setting are meant to free the mind from the banality of everyday life and to allow the spirit to enjoy peace. In a way, it is a form of spiritual therapy.

The tea ceremony, cha-no-yu, is still practiced in Japan today and is regarded as a form of disciplinary training for mental composure and for etiquette and manners. In Kyoto, I once met a fellow guest in an inexpensive Japanese inn who asked whether she could serve me Japanese tea and a sweet after breakfast. She apologized for her ineptitude, saying she was only a mere apprentice of tea. When I asked how long she'd been studying cha-no-yu, she replied 7 years. That may seem like a long time, but the study of the tea ceremony includes related subjects, including the craftsmanship of tea vessels and implements, the design and construction of the teahouse, the landscaping of gardens, and literature related to the tea ceremony.

Several of Japan's more famous landscape gardens have teahouses on their grounds where you can sit on tatami, drink the frothy green tea (called maccha), eat sweets (meant to counteract the bitter taste of the tea), and contemplate the view. Traditionally, teahouses are quite small, with space for five or fewer people, and with two entrances: one for the host and the other for guests, so small that they must crawl through it to enter. In the center of the room is a small brazier for the teapot along with utensils needed for the making of tea -- tea bowl, tea caddy, bamboo whisk, and bamboo spoon. Tea etiquette requires that guests compliment the host on the excellent flavor of the tea and on the beauty of the tea implements, which of course change with the seasons and are often valuable art objects.

Although several first-class hotels in Tokyo hold tea ceremonies in special tea-ceremony rooms, nothing beats the atmosphere of a landscaped Japanese garden, many of which serve tea.

Floral & Landscape Arts

Ikebana -- Whereas a Westerner is likely to put a bunch of flowers into a vase and be done with it, Japanese consider the arrangement of flowers an art in itself. Most young girls have at least some training in flower arranging, known as ikebana. First popularized among aristocrats during the Heian Period (A.D. 794-1192) and spreading to the common people in the 14th to 16th centuries, traditional ikebana, in its simplest form, is supposed to represent heaven, man, and earth; it's considered a truly Japanese art without outside influences. As important as the arrangement itself is the vase chosen to display it. Department store galleries sometimes have ikebana exhibitions, as do shrines; otherwise, check with the local tourist office.

Gardens -- Nothing is left to chance in a Japanese landscape garden: The shapes of hills and trees, the placement of rocks and waterfalls -- everything is skillfully arranged in a faithful reproduction of nature. To Westerners, it may seem a bit strange to arrange nature to look like nature; but to Japanese, even nature can be improved upon to make it more pleasing through the best possible use of limited space. Japanese are masters at this, as a visit to any of their famous gardens will testify.

In fact, Japanese have been sculpting gardens for more than 1,000 years. At first, gardens were designed for walking and boating, with ponds, artificial islands, and pavilions. As with almost everything else in Japanese life, however, Zen Buddhism exerted an influence, making gardens simpler and attempting to create the illusion of boundless space within a small area. To the Buddhist, a garden was not for merriment but for contemplation -- an uncluttered and simple landscape on which to rest the eyes. Japanese gardens often use the principle of "borrowed landscape" -- that is, the incorporation of surrounding mountains and landscape into the overall design and impact of the garden.

Basically, there are three styles of Japanese gardens. One style, called tsukiyama, uses ponds, hills, and streams to depict nature in miniature. Another style, known as the karesansui, uses stones and raked sand in place of water and is often seen at Zen Buddhist temples; it was developed during the Muromachi Period as a representation of Zen spiritualism. The third style, called chaniwa, emerged with the tea ceremony; built around a teahouse with an eye toward simplicity and tranquillity, such a garden will often feature stone lanterns, a stone basin filled with water, or water flowing through a bamboo pipe.

Famous gardens in Japan include Kenrokuen Park in Kanazawa, Korakuen Park in Okayama, Ritsurin Park in Takamatsu, and the grounds of the Adachi Museum. Kyoto alone has about 50 gardens, including the famous Zen rock gardens at Daitokuji and Ryoanji temples, the gardens at both the Golden and Silver pavilions, and those at Heian Shrine, Nijo Castle, and the Katsura Imperial Villa.

Note: This information was accurate when it was published, but can change without notice. Please be sure to confirm all rates and details directly with the companies in question before planning your trip.