Sankt Petri kyrka
Malmö doesn't possess a great cathedral. For that, you have to travel to Lund. But it does have a grand church, lying a block east of the Rådhuset . Dark and a bit foreboding on the exterior, it is light and airy within. This Gothic church originated in the 14th century, when Malmö was under the control of the Hanseatic League, and was modeled on Marienkirche, a famous church in Lübeck, Germany. Other than the slender pillars and supporting ogive vaulting, the church's most stunning feature is its Krämarkapellet, or tradesmen's chapel, from the 1400s. Amazingly, the original artwork remains. At the Reformation, the artwork here was viewed as "redundant," and the chapel was sealed off, which, in effect, protected its paintings from the overzealous "restoration" of the reformers. Look for the impressive New Testament figures surrounded by decorative foliage on the vaulted ceiling. Also notice the tall retable from 1611 and an exquisitely carved black limestone and sandstone pulpit from 1599. The octagonal baptismal font from 1601, as well as the pulpit, were the work of master craftsman Daniel Tommisen.
Malmö doesn't possess a great cathedral. For that, you have to travel to Lund. But it does have a grand church, lying a block east of the Rådhuset . Dark and a bit foreboding on the exterior, it is light and airy within. This Gothic church originated in the 14th century, when Malmö was under the control of the Hanseatic League, and was modeled on Marienkirche, a famous church in Lübeck, Germany. Other than the slender pillars and supporting ogive vaulting, the church's most stunning feature is its Krämarkapellet, or tradesmen's chapel, from the 1400s. Amazingly, the original artwork remains. At the Reformation, the artwork here was viewed as "redundant," and the chapel was sealed off, which, in effect, protected its paintings from the overzealous "restoration" of the reformers. Look for the impressive New Testament figures surrounded by decorative foliage on the vaulted ceiling. Also notice the tall retable from 1611 and an exquisitely carved black limestone and sandstone pulpit from 1599. The octagonal baptismal font from 1601, as well as the pulpit, were the work of master craftsman Daniel Tommisen.
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