Generally considered the palace in South India, this was designed by Henry Irving at the turn of the 20th century; 15 years of nonstop construction produced a fabulous domed, arched, colonnaded, and turreted structure with lavish interiors -- teak ceilings, carved marble handrails, gilded pillared halls, ivory deities, rococo lamp stands, Italian crystal chandeliers, stained-glass windows, miles of white marble floors, and ceilings made from stained glass brought all the way from Glasgow. You'll be hard-pressed to find an undecorated section of wall or ceiling; frescoes, paintings, statues, and delicate relief carvings recall religious as well as secular scenes, including glorious state processions. Within the inner courtyards, growling stone felines guard stairways, while elsewhere, elaborately carved rosewood doors mark the entrances of yet more splendid halls and chambers. Paintings by Raja Ravi Varma, golden chariots, gilt-framed mirrors, stately family portraits (including a wax sculpture of the maharajah), and all manner of ornate fantasy objects add to the spectacle of abundant wealth. Overlooking the parade grounds, brought to life during the Dussehra Festival (Sept or Oct), a terraced grandstand pavilion is covered by a heavily decorated and frescoed ceiling, while huge, decaying chandeliers dangle precariously over the seating.
Don't bother to purchase an additional ticket for the disappointing Maharajah's Residential Palace, where, sadly, a display of items gathers dust.