Frommer's Review
Though Michelangelo Buonarroti never actually lived in this modest palazzo, he did own the property and left it to his nephew Lionardo. Lionardo named his own son after his famous uncle, and this younger Michelangelo became very devoted to the memory of his namesake, converting the house into a museum and hiring artists to fill the place with frescoes honoring the genius of his great uncle.
The good stuff is upstairs, starting with a display case regularly rotating pages from the museum's collection of original drawings. In the first room off the landing are Michelangelo's earliest sculptures: the Madonna of the Steps, carved before 1492 when he was a 15- or 16-year-old student in the Medici sculpture garden. A few months later, the child prodigy was already finished carving another marble, a confused tangle of bodies known as the Battle of the Centaurs and Lapiths. The sculptural ideals that were to mark his entire career are already evident here: a fascination with the male body to the point of ignoring the figures themselves in pursuit of muscular torsion and the use of rough "unfinished" marble to speak sculptural volumes.
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