Frommer's Review
The austerity of this black-and-white-striped 12th-century structure is enlivened ever so slightly by the fanciful French Gothic carvings around the portal and the presence of two stone lions. A later addition is the campanile, completed in the 16th century and containing at one corner a beloved Genoa artifact -- a sundial known as L'Arrotino (the knife grinder) for its utilitarian appearance. In the frescoed interior, chapels house two of Genoa's most notable curiosities: Beyond the first pilaster on the right is a shell fired through the roof from a British ship offshore during World War II that never exploded, and in the Cappella di San Giovanni (left aisle), a 13th-century crypt contains what crusaders returning from the Holy Land claimed to be relics of John the Baptist. Fabled tableware of doubtful provenance appears to be a quirk of the adjoining treasury: the plate upon which Saint John's head was supposedly served to Salome, a bowl allegedly used at the Last Supper, and a bowl thought at one time to be the Holy Grail. The less fabled but nonetheless magnificent gold and bejeweled objects here reflect Genoa's medieval prominence as a maritime power. Entrance is only by guided tour; though the tours are in Italian, you should take one anyway to look at what's inside.
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