Frommer's Review
The filthy-rich Countess Wilhelmina von Hallwyl was a collector of almost anything that was valuable and expensive. She also had a sentimental streak, leaving behind a cutting from the beard of her husband, Count Walther von Hallwyl, for posterity. Although we don't suggest you take a bite, she also preserved a slice of her wedding cake. The countess carefully cataloged her acquisitions and left them to the state upon her death, who placed them here, in a town house occupied by the aristocratic Hallwyl family from 1898 to 1930. Today, the turn-of-the-20th-century residence is both a fine example of the skilled craftsmanship of its day and the most eccentric of Stockholm's museums.
The countess's catalog totaled 78 volumes, so you can imagine the amount of decorative art on display. Open to the public since 1938, the collection includes classic paintings, rare tapestries, silver, armor, weapons, antique musical instruments, glassware, even umbrellas and buttons (but only the finest ones). One of the three daughters became a sculptor and studied with the great Carl Milles. On the tour, you'll learn historical tidbits, such as that this house had a modern bathroom even before the royal palace got one. Ask about summer evening concerts presented in the central courtyard.
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