Pistoia Attractions
Pistoia’s civil and religious landmarks are clustered around the lovely Piazza del Duomo. The squat, octagonal Battisero (Baptistery) of green and white striped marble anchors one corner of the stage-set-like space. A curious presence off to one side is the Catiline tower, named for the conspirator who almost brought down the Roman empire and in the minds of many made the good-natured and righteous consul Cicero into a tyrant. In a.d. 63 Cicero began a campaign to suppress a coup that Catiline and other young aristocrats were fomenting. He had Catiline tracked down in Pistoia and executed without trial, a transgression against Roman law for which the consul was exiled to Greece.
A walk up the narrow lane on the north end of the square reveals the spectacular facade of the Ospedale del Ceppo (Hospital of the Tree Trunk), named for the “poor man’s stump,” a hollowed-out log that in the middle ages was placed in front of the door to collect alms. Giovanni della Robbia, of the well-known clan of Florentine sculptors who worked in ceramics, decorated the Renaissance portico with images of the Seven Works of Mercy (feeding the hungry, clothing the naked, and so forth) and the Cardinal Virtues (prudence, justice, fortitude, and temperance)—practices that all Christians are expected to perform, and should you need a refresher course, these beautiful and colorful panels provide an artful brush-up.
The side facade of San Giovanni Fuorcivitas, just south of Piazza Grande on Via Crispi, is an orderly and utterly delightful festival of blind arcades, inlaid diamond lozenges, and enough stripes to put a zebra to shame. West of the Duomo, on Via degli Orafi, is a show of early-20th-century exuberance, the Art Nouveau Galleria Vittorio Emanuele. The steel-and-glass structure with shops surrounded by elaborate metal scrollwork is a little tattered looking, but nonetheless reminiscent of grand shopping arcades in Milan and other European cities.
- Religious Site
Baptistery
This baptistery was built in those strong Pistoian bands of dark green and white by Cellino di Nese from 1337 to 1359, based on a design by Andrea Pisano. The Gothic pulpit to the right of the entrance was added in 1399, and the Madonna above the door is the work of Tommaso and Nino… - Museum
Cappella de Tau
The monks of the order of St. Anthony who built this hospice complex in 1360 wore the Greek letter “T” (tau) on their cloaks as a symbol of a crutch, in keeping with their dedication to caring for the sick and crippled. They hired Florentine Niccolò di Tommaso to cover every inch of… - Religious Site
Church of Sant’Andrea
One of Pistoia’s great masterpieces is the pulpit in this church, completed by Giovanni Pisano in 1301. If you’ve been to Pisa, you’ve seen the pulpit that Giovanni’s father, Nicola, created in the baptistery there, and the similarities are obvious, though Giovanni’s work may well be… - Cathedral
Duomo
Pistoia’s 12th-century cathedral is topped by the city’s two patrons, St. Zeno and St. Jacopo. The presence of both show Pistoia, despites its reputation, to be a good-natured place, as Zeno was known for his devotion to charity and helping children and Jacopo (James), the fisherman… - Landmark
Ospedale del Ceppo/Pistoia Sotteranea
Pistoia's star outdoor attraction is the facade of the Ospedale del Ceppo, one of the best works by the often disappointing Giovanni della Robbia and Pistoia's answer to the Ospedale degli Innocenti in Florence, which was decorated by Giovanni's father, Andrea. Here, Giovanni was in… - Attraction
Pistoia Sotterranea
Short of falling ill, the way into the Ospedale del Ceppo is to burrow beneath it. You’ll learn about the hospital, founded in 1277 and the city’s main hospital through the days of the Black Death (and still operating), as you follow the bed of a now-dry stream that once coursed… - Religious Site
San Bartolomeo in Pantano
"St. Bartholomew in the Swamp" is a 12th-century enlargement of an 8th-century church that has been sinking slowly into its namesake bog for more than a millennium. In the dark interior, you may be able to make out the 13th-century fresco in the apse, and you'll certainly stumble… - Religious Site
San Domenico
This 1280 church squats a block inside the southern walls of town. The first item on the right as you enter is the tomb of Filippo Lazzari, one of Dante's best friends. The scholar lectures on eternally in the relief panel below. (We like to think his young follower Boccaccio, said… - Religious Site
San Francesco
Pistoia's barnlike Franciscan church contains lots of good 14th-century frescoes, the best of which are in the transept chapels. Behind the high altar is a fresco cycle on the Life of St. Francis by a Giotto copycat (perhaps a student) who mimicked his master's formulae for most of… - Religious Site
San Giovanni Fuoricivitas
The side facade of this small, supremely Romanesque church is an orderly festival of blind arcades, inlaid diamond lozenges, and stripes to put a zebra to shame. Inside are a giant 13th-century crucifix, a Visitation in white terra cotta by Luca della Robbia, and a Giovanni Pisano… - Religious Site
Sant'Andrea
Pistoia's undisputed artistic heavyweight is Giovanni Pisano's pulpit (1298-1301) inside this 12th-century church. The third of the four great Pisano pulpits (the others are in Pisa and Siena) and the first carved by Giovanni without the help of his dad, Nicola, this is the work with…

