Catedral de Avila

Frommer's Review

Built into the old ramparts of Avila, this cold, austere cathedral and fortress (begun in 1099) bridges the gap between the Romanesque and the Gothic, and, as such, enjoys a certain distinction in Spanish architecture. One local writer compared it to a granite mountain. The interior is unusual, built with a mottled red-and-white stone.

Like most European cathedrals, Avila lost its purity of design through the years as new chapels and wings -- one completely in the Renaissance mode -- were added. A Dutch artist, Cornelius, designed the seats of the choir stalls, also in Renaissance style, and the principal chapel holds a reredos showing the life of Christ by Pedro Berruguete, Juan de Borgoña, and Santa Cruz. Behind the chapel, the tomb of Bishop Alonso de Madrigal -- nicknamed El Tostado (the Parched One) because of its brownish color -- is Vasco de Zarza's masterpiece. The Cathedral Museum contains a laminated gold ceiling, a 15th-century triptych, a copy of an El Greco painting, as well as vestments and 15th-century songbooks.

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